Quilt finish for charity

New finish Blue & White Wedges quilt 

 Recently I finished this new blue and white quilt of wedges sewn in long strips which were left over from a Dresden Plate quilt called Blue Diamonds I made almost three years ago.

Blue Diamonds quilt 2012-2013 a Dresden Plate set on point and hand quilted.

 I made too many wedges for my Dresden plates because I wanted lots to choose from when I was building them. I cut and cut six inch wedges and then put them together as I needed them to mix and match my dark and light plates. When I was done making two large bed sized tops I set the remaining wedges aside. At some point these wedges got sewn together into long alternating blue/white strips that laid in a pile of left over blocks for quite a long time. Opportunity this year to make a quilt for the homeless arose at the guild as it always does in Sept. We have 100 quilts for Kids as a challenge and I had a pal to help me assemble these into a quilt at our all day guild sewing day. Virgil, I met him over the summer, quilts but doesn't have much experience he says. We joined forces at the guild meeting and with his help we put it together in a top that measures about 40 x 64 inches. A nap quilt for a toddler or a throw for some one feeling the season chill. Our quilts this year are going to the Washington DC homeless family shelter at the old DC General Hospital I believe. Once the top was all sewn together and nicely pressed I was lucky to find a nice piece of blue and white tartan in a box of donated fabric large enough to cover the back. I brought the blue tartan yardage and our top home to finish with batting quilting and all the usual parts.

Since this quilt is going to be a donation, I did the straight line quilting on my featherweight Singer sewing machine so it was faster than by hand. I did a diagonal design to echo the wedges. Then on a visit to Manassas I whipped up a personalized label for the back and added the solid blue to bind the edges. 

front, back and label 

Long walks are part of my aspiration every day. It is good to get away from the sewing and in Manassas while I was working on the blue and white wedge's label this image of a local lake surrounded by white asters and blue sky and white clouds becomes a photo equivalent to the blue and white quilt. Guess I didn't get that far away from the project on my long walk seeing the same colors by the lake. 

So many projects including a few Quilts

one inch sides on this tiny English paper pieced tumbling block 

I don't know about other quilters but I am finding I am starting many projects and having fun with each but not finishing them up as fast as I did a year or two ago when I first got started. The excitement of showing and telling about new projects at DC Modern Quilt Guild really drove my desire to finish up and get them ready for the show and tells. Now I am working on more complexity in my designs and taking longer to do the hand quilting and sometimes the piecing. Then there is that Instagram share thing. I find sharing a picture or two on Instagram has taken the place of writing blog posts to fore fill my desire to share as I go... Today I am stepping back from that because I know there are folks like the lady I met in Walmart this week who don't get on Instagram and would like to see some of the work in more detail that a slide show on my iPhone screen. Insert smiley face here. How the world keeps changing faster than I can keep pace with since the information age took off some 25 years ago.

This is my tumbling block improvisational nine patch hanging on the design wall as I was trying to sort out how to join them together and what order to place them in for the finished top. It's together now in a different order with a magenta sashing joining them all up. I really enjoyed working on the English paper piecing at the center of these blocks  from my own paper pieces. I decided to try some smaller ones for somewhere in the project. Now I have  bunch of those completed and ready to use once the quilting is closer to completed. 

English paper pieced tumbling blocks tiny one inch size and the three inch size used for the center of my medallion blocks for size reference as they hang on the felt with yellow pins holding them in place.

below is a shot of me sewing the big blocks 25 inch square together on my small Featherweight Singer sewing machine. Vintage Singer 1937 is a delight to use. 

Now that it is together and basted to the batting and backing a solid red! It's laid over my standing hoop to begin the large stitch hand quilting in the center medallion with contrasting colors to stand out. 

That tumbler is the big three inch sides one in the middle of this block. 

So this is just one report there is so many opportunities to write that slip by but keeping the story short helps make it more do-able for me considering I can't put down the iPhone and set Instagram aside as often as I would like. 

This project is on track and the earlier one I began back in January of this year is slowly coming closer to a finish. It's my tea leaf project with way too much detail in the quilting for my neck and hand problems to be done quickly. Still we are learning to slow down in this era of hurry hurry hurry and enjoy the simple pleasure of slowly putting the needle to fabric and working out some of our rush to a place of pride and centered calm. 

Next week off to Ipswich Mass. to hang at the river's edge and explore.

Further adventures in quilting by the bay

This past week at the Ruppert's Bay retreat I got some big work completed. The first on my list of "things to do" was the space hungry basting of the three parts in a quilt that has to be spread out flat to accomplish, namely basting the three layers together before they can be quilted. The hand pieced top of 54 Rose-Stars was the quilt top that was ready to do this to and I got right to work. Backing laid out and stretched with painter's tape on a hard wood floor (painted red) layered with batting and finally the color filled top fit just right in the room... with a little room to walk around it on all sides. Last year I used this room to make my first machine pieced quilt. I didn't know last year to tape the bottom layer down while working which this year made the whole process much more accurate and easy. It was still hard labor to crawl on the floor stitching in large basting stitches with a long needle and thimble to push it through the three layers and back up. My figures were sore my knees and eventually my hip from laying on my bony side... But in less than 24 hours it was done folded and set aside to make way for the next project.

Rose-Star quilt basted fully stretched out on the floor of the red house's studio room 

back side of the Rose-Star Quilt is all white printed muslin. Close inspection of the photo shows lots of long dark blue threads running in a star burst from the center.

dark blue pieces for white panels stacked waiting to be appliqued 

 The Dresden Plate quilt a tribute to my great grandmother's of the same design is next. I have 30 blocks with hand stitched central circles appliqued on top of the machine pieced and appliqued plates in blue and white with opposite backgrounds. I also had seven more blocks near complete thinking I might do a small version to experiment with the machine quilting techniques I haven't tried yet with any success.

full sized diamond layout of the Dresden Plate pieces 

Diamond layout for smaller quilt top

The new environment was stimulating and having extra room to spread out and only these two projects on my plate made a new idea pop up. Diamonds? What if I turned the blocks to the side and got a diamond pattern instead of checker board style. It looked great but then I needed half blocks to fill out a rectangle and that would be a step back on this big quilt so I decided to play with the smaller version using the diamond layout and focus on getting the original checkerboard squares laid out and sewn together. It turned out a little bigger than I expected but it fell together so well I am not complaining about extra. I spent 8 months sewing the Rose-Star pieces so I never expected to achieve in one month the machine piecing of the Blue and white project with extra blocks to spare and the green and white fence quilt still on the back burner but getting close to next... The slow hand quilting of Rose-Star will put it all back in perspective.

Queen size Dresden Plate Top seen from my back porch window laid out in the garden

Thirty 18" inch squares appliqued with plates and center circles

Dresden Plate Top spread on the lawn. 

After some time reading in a book on Quilting I discovered a pattern I wanted to try. This is called Seminole after the Indian tribe of Florida who developed it years ago  using only a hand cranked sewing machine. It's a cool strip technique that uses stripes of three colors cut and re-sewn on diagonals in bands. The result of my first experiment is a very neat row of diamonds surrounded by contrasting color and long solid stripes... First I thought I would add some into the Dresden plate blue and white quilt but since it is so large, I think not. The better solution is to make another quilt and get really familiar with this technique. The rotary cutter, ruler and hot iron with lots of starch make this possible and fairly quick work.

first length of Seminole piecing in blues

closer look at detail of the Seminole strip piecing

 It is very exciting to have these two projects so much closer to complete and then a new technique well underway and understood. All that thanks to the time and space provided by our great friends the Rupperts of Fairhaven Cliffs, Md. I am looking forward to playing with all this and more in the coming months as I figure out the next steps. New quilting friends at the DC Modern Quilting Guild gave me a tip to buy a "walking foot attachment" for my machine. I found one on a very sweet web page today devoted entirely to my vintage featherweight Singer sewing machine. It seems from further reading there that the sales man was right it's a highly sought after machine! This link will take you back to the 1930s sewing shop for a little time travel. I ordered the walking foot and expect to have it in a week or two to try machine quilting again using the right foot to keep things smooth under the needle of the crawling foot.