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| first blocks using two plaid fabrics gifted by Jason Alexander |
Last week when I was thinking about how to use some fabric that I have for a DCMQG challenge. These fabrics are a collection of Madrone Road prints. Five little
one eight yard squares are to be turned into something quilted by end of this month. Since I only have those fabrics in small supply I started looking around for a new block design I liked and wanted to try. Studying a book on the basics of block designs as they are seen by the folding of paper "origami" helped. Kei Kobayashi's 520 Quick and Easy Patchwork Designs published in 1993 gives me all the basic designs broken down into groups of numbers of squares that make up a square block in a zillion different ways. It's mind blowing to see them all drawn out in simple black white and gray formatting. Luckily that book also has a few full color heirloom quilt examples to help the quilter visualize possible uses of these simple graphics. The black and white designs become a skeleton to build your block designs in your choice of colors. I was thinking about how to divide the Madrone Road fabrics up into light, dark and medium values when I came upon the idea of making a test block using some other fabric.
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| laying out pieces to build each set of blocks on the ironing board |
During my Christmas visit to Manassas, I was given some old clothes by a friend as I was showing him some of my quilting projects.
Jason Alexander and his wife Maria are fun people and live the good life following their dreams. He makes pottery and teaches and they are in the process of building a home and studio in the woods... I began making a Shoofly block the day after Christmas and New years day I finished the 28th block using two woven plaid fabrics from Jason and a number of my blue and white fabrics from my recent projects. It's always exciting to be in the process and usually snow balls once I get a pattern going. This was meant to be a test block project for the Madrone Road fabric challenge and seems to have expanded into something much bigger. Who would have thought that such a small bit of fabric could inspire so many blocks.
Also inspiring me was another gift, the beautiful new book by Denyse Schmidt
Modern Quilts Traditional Inspiration. I got permission from this book to substitute a few like fabrics that were not from the same sources, they look alike enough to pass and add some sparkle to the finish collection of blocks. Doing this reminded me what my color teacher, Mary Buckley, always told us to do when working with color "add sparkles, glitter" or some feeling of a brightness to make the work live! Leaving off some of the perfectly matched fabrics and adding the almost matched is a real relief to the eye but I know it is unseen at first glance.
Here are the images of the blocks, now I am trying to sort out what the blank spaces will be filled with to finish to top. Will I use
white like the felt wall,
pebble gray print- a neutral with texture,
darker blue or perhaps a light
lavender, then there is a surprise
orange? Those are a few choices I have to make before I take the next step to complete this top and any suggestions from you readers are always welcome.
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| some of the mixed up shoofly blocks on the white felt wall |
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| shoofly blocks on pebble gray |
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| shoofly blocks on warm blue |
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| the orange option |
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| yellow on hand recommended by Elle |
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