Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts

Wednesday, March 30, 2016

Fan Improvisation on a rainbow. Quilt finish

This is the completed Improv Fan Quilt which has been a long time coming.

I began with a request from Jessie Aller for some improv blocks for a DC Modern Quilt Guild charity project she was putting together in 2014  for a member named Angela. It was simple rectangles of mixed fabrics building a block using a scrappy theme. After I made several I decided it might be fun to try and make a bunch of these blocks to use as fabric in my own quilt.
My new blocks would be in the colors of the rainbow because our apartment is flooded with these spectrum every sunny morning and lots of quilters are really into "rainbow" as their color theme, I wanted to try my own version but I wanted to do it with black as my background like the Amish quilts I like. It was in part a reaction to all the gray and white used by many modern quilters. They rarely choose black to work into a quilt design. The bold colors of Amish and Mennonite quilts really appeal to my eye and they are usually dark and have black or dark blue as a ground. 
gratuitous chicken shot taken at the Zenzendorf Hermitage Pitman PA

Back in 2006/2007 I went to a retreat and for an artist residency to a magical place in the mountains of Pennsylvania called the Hermitage founded and run and created entirely by the Zenzendorf Brothers who have a huge collection of early American log buildings filled with all sorts of tools, furniture and implements of farm life circa 1800's from the many farms around their Pennsylvania Dutch valley. In the oldest house there was a sort of loft room with beds piled high with antique quilts. At the Hermitage they used no electricity and candles or oil lanterns (flashlights) under the stars.  A shower house with water from the well and a propane gas tank to heat the water and run a refrigerator were the only modern comfort luxuries. It was such fun to be there and In the 1747 reconstructed Moravian house (see image below) I discovered this antique fan quilt. I got a snapshot of it on the bed in the loft where I slept under it one chilly autumn night. The bed was antique too with no box spring just ropes holding the lumpy mattress off the floor. 



When I began I wasn't sure how I would use my rainbow blocks this row of colors with black edge and solid strips was an early sketch and it helped to keep count of how many improv squares of each color I had completed and how they looked as a group.

This shows one idea I played with before I moved on to add a magenta to this spectrum and then came to the conclusion I wanted to do a 2015 year of curved piecing in my quilts. I looked around for design ideas and realized that I would like to try a fan quilt like this antique crazy pieced fan quilt from The Zenzendorf Hermitage which I slept under years ago. I took the fan idea and built my blocks to be my color fabric in a curved pieced design using the black as background.
Cut glass crystals hang in my windows where they cast spectrum all over our living room in the morning when the sun rises. I took careful note of the order of the colors to do my layout then forgot it in the end as I split the colors up to place the orange near the center.
Rainbow lighting on the White house to celebrate Marriage Equality decision by Supreme Court last summer was just one of the many reminders about rainbows last year.
I made this rope bowl for a charity auction early on in the year which pushed me to create more blocks in more colors of the rainbow after the orange and blue ones I did for the guild quilt. 
It was challenging to cut and piece so many small curves my fan block size is 8" finished with the colored fabric having so many seams to sew over in danger of being chewed by the feed dog... By the time eight fans of each color were pieced I ran out of steam and decided it was big enough to be a nice nap sized quilt and laid them on the wall and pieced them together in a diagonal design that shows off the rainbow effect. 66" square is the finished size.  

I used pins to make each fan, that helped keep the colored improv seams under control as I rounded the curves. Then I got a number made and began experimenting with how to assemble the fan blocks.



Lots of ways to put them together with the black background were considered but in the end I chose to do the diagonal layout and save the stars for another quilt top design. 
The view across the 2012-13 English Paper Pieced Rose-Star quilt to the wall that holds my quilts in progress. You see on my design wall an early layout of the shapes. I had two shapes from my curved cuts pieced with matching curved black grounds. 

Once I got the fan top together I wanted to use the traditional fan quilting pattern to do my quilting on this project and I chose rainbow pearl cotton size 8 thread in colors as close to the row as possible.
 I don't have a great source for pearl cotton threads anywhere locally and I don't like to buy by mail order due to the high cost of shipping. I did it once and at $13 for a single spool it is just too high a cost so I continue to hunt for shops that sell pearl cotton #8 in a wide range of colors. 

 There you can see the orange red rows of quilting and then below the oval label I embroidered using regular two thread embroidery floss with a peek at the back a print that has butterflies and dots in a lavender gray on black ground. The binding is solid colors laid out in the spectrum around two times in a row all around the edges.

finished quilt on the wall 66 x 66"



Another antique crazy quilted fan quilt I saw last summer done by a lady Esther in 1896 which reenforced my creative process to building my own.  She did a nice hand embroidered label that puts mine to shame but it's not a new idea to embroider a makers label. 


That is all. Carry on, quilting whenever possible. 


Sunday, July 13, 2014

New Quilt: Cantilever Log Cabins

Cantilever Cabins quilt 34 x 60 inches

Another small quilting project completed last week which I am calling Cantilever Cabins because of the layout of my units makes me think of modern architecture's modern buildings made from units that are stacked and sometimes cantilevered designs that defy gravity. It's a riot of colors and finished around the time the gay rainbow flag is flying in lots of big cities commemorating the Stonewall Riots of 1969 in New York City. I missed them by five years when I moved there in 1974 to study art in Brooklyn. Eventually I found my way to the parade in the summer of 1975 marching up 7th Avenue to Central Park where we
playing with the rainbow strips on my design wall 
had a blast dancing to a disco radio truck at the Bethesda Fountain and watching men strip naked and climb the fountain angle's shoulders to wiggle and dance displaying their pride while clearly under the influence of some mind altering chemicals we didn't have...
I digress, this quilt is all cotton and made from lots of scraps of colors and neutrals. I used inspiration from an antique wool suiting quilt pictured here for the blocks shape using a triple bar log cabin block.
antique triple bar log cabin wool quilt
I chose a different way to stack my blocks which is where the cantilever came from in the title. I organized my colored blocks as darks and the lighter ones as background. The binding is a scrappy mix of strips from the same fabrics in the brightly colored blocks. 
My backing consisted of left over strips which I assembled in different lengths alternating warm and cool sets stacked up like a pile of books surrounded with off white print scraps for a background.
The quilting is using multi colored pearl cotton #8 around the squares on the top/front and showing up nicely on the whites of the back side and the stack of multi colored bars.  

In the final stages I had to make two labels. The first label on a strip of patchwork didn't work on the quilt because it was different scale. 

 This first label looked great when I started but once the wash away was gone the coral pearl cotton threads didn't read very well, so I began again. 
failed label embroidery

I am happy with this coral on white in a square format like the quilting from the front.
Sometimes simple really is the best choice.
Thanks to the Modern Quilt Guild for the idea to mix lots of neutrals with bright colors in a new way using old fashioned block design. 

Tuesday, February 11, 2014

New year begins with exhibits


This year is moving very fast but my creative energy is resting while I get my quilts from last year ready to show. The Wash. DC Modern Quilt Guild was invited to show at the  Anacostia Arts Center as a result of the interest in the "Orange Explains It" quilt which hung there in ArtRomp last September where my friend Thomas Drymon from Triangle Artists Group asked  to show my quilts in his experimental art space along bustling 14th. NW. I was delighted to have the invitations to do both exhibits and surprised to discover they will open the same day. Saturday Feb. 15th.

First show is in the Anacostia Arts Center 1231 Good Hope Rd, SE from 4-7 PM opening with lots of other Modern Quilt Guild events planned.
Including a guild quilt sewing day where you can drop in to see the show and how we make quilts on March 22nd, 11-4 PM
The exhibition runs February 15 - March 29. A public opening reception will be held on February 15 from 4 - 7 p.m. Viewing hours are Tuesday- Saturday from 11 am - 7 pm and during special events. Anacostia Arts Center is located at 1231 Good Hope Road SE. The exhibition is FREE and open to the public.
“Quilting has seen a recent resurgence in interest by practitioners, collectors, and spectators; we are thrilled to be showcasing talented local artisans. Having the Arts Center’s walls wrapped-up snugly in over two dozen quilts make for the perfect winter exhibition,” remarks Director Kate Taylor Davis.


The second show opening 6-9 PM at doris-mae gallery on 1716 14th St. 2nd floor WDC tel. 202-299-0027
Sunday March 2nd at 2 PM we have an artist talk planned.


Man on Man
Tom Hill, Frederick Nunley,
John Thomas Paradiso and
Dwayne Butcher at doris-mae

Show dates: February 15-March 14, 2014
Opening reception: Saturday, February 15, 6-9pm
Artists talk: Sunday, March 2, 2pm

1716 14th Street NW, 2nd floor

Washington DC 20009
202-299-0027

In Man on Man, four artists directly or indirectly comment on the formation of the masculine identity and the representation and expectations on men in contemporary society. In addition, they each use materials and methods in ways that are unexpected and exciting, challenging the notion of craft as fine art and the traditional medium and materials men and women have used to express themselves. 
In other news